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| Lale Sayoko - a real Oriental Dancer |
The term “oriental” comes from the French – Danse Orientale
– which means the same as raqs sharqi in Arabic – “dance of the east”.
I’m not sure which term came first (by 1926 raqs sharqi was being used
in Egypt) but either way it is east of Paris – not Cairo.
So, here’s the first difficulty. If you say “oriental dance”
to the General Public (especially in New Zealand) most will think that it is
something from the far east – China or Japan. By using a word they are familiar
with in a different context you are confusing not enlightening them. Those with
a little more knowledge use it as evidence that “belly dancing” came from India
– after all is called “oriental dance”!
The problem is it isn’t a straight translation. It has
technical context - like plié or jeté. Not good examples as they
have simple translations. More like pas de boureé - it does not just
mean step of a traditional French dance - it means a specific way of moving the
feet.
This is once reason I prefer the French spelling and (an
attempt at) French pronunciation – “Orientale”. This clearly signals I am not
talking about “oriental” in the normal English sense. I am using a technical
term to describe a type of dance. The other reason is I have been told, by a
number of Egyptian dancers, is that this is the term they use – rather than raqs
sharqi or belly dance.
When used in this context, Orientale is a specific
style of dance (from professional entertainers in Egypt/Lebanon etc). It does
not include social dance - unless they are trying to dance like professionals.
It does not include beledi. It does not include shaabi - or in
most cases dancing to pop music. It does not include any folkloric dance. All
of these are part of most belly dancer's repertoire and are not Orientale.
There is also a tighter meaning , which refers specifically
to dancing to the complex, layered, orchestrated music such as was popular in
films and shows in Egypt’s Golden Age and Classical Age.
However, it is not a synonym for the American Seven (or
Five) Part Routine. Although many people would call this “Orientale” under
the looser definition. An Egyptian Orientale for instance is not put
together as one song after the other moving from veil to a drum solo. Some may
include many styles – but the “parts” may vary from a few bars to full songs –
and there will be repeats and changes. However, some may be one long piece all
in a similar style.
But what it certainly does not mean is anything that is not
Tribal! There are many other styles of belly dance that are valid – but not Orientale.
For stage presentation (Urban) Beledi is the most obvious. None of the
folkloric styles are Orientale – just the opposite.
I think part of the problem is people want an umbrella term
– that isn’t “belly dance”. Maybe we just have to live without – or adopt
something completely different such as the Hungarians did when they finally
adopted tanc as a noun that would cover a range of different dance
styles.
